I want to talk about
a gig I went to a couple of weeks ago. I’m not really one for going to gigs
anymore, unfortunately as I have got a little older I have also developed very
minor versions of agoraphobia and enochlophobia. I have no valid reasons to
explain why, I used to enjoy going to see live music and nothing has ever
happened in my life by way of an incident that could offer a traumatic turning
point but nevertheless I get a sense of discomfort and anxiety when in large groups.
It’s controllable and manageable but in the main I avoid those situations. To
make me look sillier I also developed a slight fear of heights and flying as I
entered my 30s! Again, I used to love both and nothing happened, it’s just
getting older and more easily scared I guess!
Pointless
confessions aside… I am a fan of Kate Bush and listen to her music often, her
first album The Kick Inside, is a big influence and motivational force on my
life because I find it amazing that someone can be so absolutely true to
herself and produce meaningful work that is outside of any contemporary pressures
or fashions of the time (even if some work is inspired by them) and she makes
her work undeniably and unmistakably her own. As well as the music itself,
which is of course wonderful, on a personal note what has always fascinated me
is how people from the same approximate area I come from succeed. I have wrote
about this before so I won’t repeat it all here but to cover the main points,
London is a big city that has a incredible history and it goes without saying
there are more opportunities here than many other places in the world so in one
sense you would think that if a person has talent, then if they are ever going
to be discovered and have a successful career, being in London (or very close
by) is a huge advantage, and I’m not going to argue against that, but there is
a flip side to consider. It is also easy to get lost in the crowd (I’m not
talking about my agoraphobia) and never break through because you are swallowed
up in the enormous numbers of others trying to do the same thing. I’m not going
to get into the modern era of Internet marketing, YouTube and global artistic
collaboration via your bedroom, because I don’t know enough about it. I’ll
leave it to others to discuss the, ‘it was tougher in my day’ argument. I’ll
also avoid the, ‘it’s not what you know it’s who you know,’ because famously
she was able to get her demos in front of David Gilmour, which she talks about
openly in early interviews as very lucky, but for me, I don’t always buy that.
It is no doubt true in a lot of cases but I am more dubious about it being a
rule. I have friends who are actors, artists and musicians and have studied and
worked with established famous names and have many contacts and they will
explain that having a network can help but it’s not a golden ticket. It may
give you opportunities, chances that others don’t have, a foot in the door,
etc, etc… but once you look beyond that, there is a very simple truth: you
cannot fake talent! No matter how good you are, and on top of that how well you
can bluff your way in front of people, sooner or later, if you don’t have the
talent you will get found out (that is not to say that people who do not make
it, do not have talent, of course they do, but there are only so many chances
to be taken and there are a million reasons why for some people it just never
works out). And the thing with people like that, who may be fantastic but don’t
have the equivalent ‘lucky’ moment that they can point to as their ‘big break’,
etc. though they the could be the hardest of workers and the most determined of
dreamers, you don’t hear their stories. We don’t know how many dozens, hundreds
or thousands of other demos people somehow managed to get in front of David
Gilmour, or in terms of actors and artist as I mentioned above, how many
interviews, auditions, meetings, script readings, portfolio viewings, etc.
people have worked hard, or professionally blagged, to get… because when getting
in front of the right people they didn’t have that ‘something’ that made them
stand out at that particular moment in time when it was needed (or that person
wasn’t in the right frame of mind to accept what they may have accepted on
another day, again, there’s a million reasons). There is just such fierce and
never diminishing competition.
Credit: The KT Bush Band https://www.facebook.com/ktbushband
So moving on (I
know I’m waffle)... There are lots of people who come from south east London or
neighbouring towns in Kent that are huge inspirations to me because it is great
to see people from places I know that have produced such great work. I won’t
say ‘became famous’ because that is certainly not what I am interested in, but
I mean really made their mark in a true artistic sense. Kate Bush is right up
there because everything about the way in which she progressed in her career
stems from a self imposed sense of hard work and artistic ambition. She was
original and did things her way (not to mention the times she was doing this in
for a woman was ground breaking, you only have to see some of the cringe worthy
interviews of the 70s/80s when people were asking her about her hair, etc.
rather than the music and it’s very sad that we still see that today where the
focus in the media is still so much on appearance) and that is why her music
means so much to me.
So moving on (I
promise this time)… The Kick Inside was released in 1978 and I was born in
1979, which obviously means I never got to see Kate Bush at the time. Anyone
who loves music of another time; jazz of the 20s, the pop explosion of the 60s,
or indeed even recent times knows the feeling of never being able to see the
groups they love live (you are all wondering if Oasis will reform, aren’t you?)
and in terms of people like Kate Bush, who even though still make music and
release studio albums, don’t tour, it’s just one of those things. That is why with
any number of bands or artists there are tribute acts, who themselves have huge
followings, some globally in demand and play all year round as full time
careers. I think they are great and I’ve seen a few in my time. Indeed after
boring you with a thousand words I’m finally getting to the point of this blog…
it was while following a tribute act (or homage-to act if you prefer) on
Facebook, ‘Cloudbusting’…
&
… I saw them
post the news that the original members of Kate Bush’s very first band were
getting together again after 39 years!
I knew
immediately I would see them live if they did anything and within a few weeks
of being on their mailing list a message came through announcing their reunion
gig was to be held at The Half Moon pub in Putney. This was where they had last
played all those years ago and Kate even mentions it in an early interview
(which, as with everything, you can find on YouTube) as it was a rather raucous
affair. I find it hard to explain the reasons I felt compelled to go because it
seems so obvious at first, to see the people who were originally playing that
music that lead on to such great things. But it was more than that, it was to
see people from the same places I knew, where I grew up, where I live, where my
friends and family live; to see them doing it, possibly more so than the music
even. It was the actual act of live performance I was interested in. I wasn’t
fussed about their set list (it does help liking everything I suppose) or who
would be there and what it would look like, it was simply being a part of
something that I feel so associated with because of their impact on my life. So,
I made my way over to Putney (it was a really beautiful day so I took the
riverboat along the Thames from Greenwich) knowing it would be a two nightbus
journey back (horrific) but that it would be well worth it. I went on my own,
because in all honestly, getting any friends to go to a mid week event these
days is hard enough, but to Putney and to a gig they don’t have an interest in
like I do, just not worth the effort even asking. I got there very early and
was looking forward to relaxing over a few beers and reading my Kindle (I was
starting The Rainbow by D.H Lawrence as it was on my list to read after
completing Sons & Lovers ages ago, but a million books got in the way, as
is always the case) but perhaps I got there a little too early, and perhaps I
had a few too many beers (partly due to the nerves too, I had no idea what to
expect in terms of crowds or the size of the venue itself, it was my first time
there) as I was certainly tipsy by the time the doors opened for the gig. I
wasn’t exactly an isolated case, everyone as certainly in a lively mood and
even by the end of the night I was far from the most drunk.
The gig itself
was fantastic. I am selfishly writing about this due to the nature of how it
helped me, how I got something from it. But in terms of the performance it was
incredible. The skill of the band was masterful and the individual talent of
Brian Bath on guitar, Vic King on drums, Robert Gerrard on keyboard and Steve
Bevan on bass was really something to see. They were incredibly professional,
smiling the whole way through (with the odd closed-eyes moments where you could
tell they were thinking back to the past) with outstanding musicianship and an
obvious sense of enjoyment and fun. Then there was the singer Jodie May Seymour
who had the exceptionally difficult job of ‘being’ Kate Bush. Now of course no
one was expecting her to ‘be’ Kate and I’m sure no one wanted her to, this
wasn’t a tribute act, this wasn’t a tribute gig, in that same sense. This was a
performance of their music but it is impossible to avoid the fact that Kate
Bush’s singing voice and style is so unique and iconoclastic that in order to
play these songs you need someone who can cope with the range required, and
they certainly found the perfect person. Jodie May Seymour performed magically
and nailed every song in both her singing voice and in conveying meaning, which
is so important. There are a few videos on YouTube but filmed from mobile
phones so the sound isn’t great but you can get an idea of the band. It’s
unfair to mention one person as standing out as they all did such an amazing
job, but as someone who is self taught (and outstandingly atrocious) on guitar,
watching Brian Bath was a total joy, his skill was beyond anything I expected. They
played a huge set list! They smashed through number after number and although I
didn’t count, in both the first and second act (interval for more beer) they
didn’t pause and it was remarkable the number of songs, including the classics
of course, they got through. In fact, I am extremely grateful for their
professionalism because the experience was made so much richer by hearing
lesser commonly played songs, as well as songs written by Brian and others that
they used to cover at the time. Every single one was brilliant and played with
real passion and love (there were a couple of nervy moments but that was to be
expected and the sense of it being a privilege to see their first gig was bound
to include some minor hiccups and when I say that, I am talking so minor they
were hardly noticeable and I feel bad even mentioning it, but then again I
don’t want to sound a total ar*e kisser).
Also, I am no
music critic. This is purely a personal reflection on an experience so I don’t
have the right vocabulary to explain how well they played and how rich it
sounded. But I loved every moment of it and it was significant to hear and feel
how powerful these songs sounded in real life. That was what the whole night
was about, feeling these songs,
played by people who had such important feelings about them. This was their
life, their history and I was sharing in it. It felt a real honour, actually.
In between songs here and there, Brian or Vic, would say a few words concerning
a particular memory from back in the 70s and working with Kate, or on her
family and brothers, or how they all met and how they all progressed in their
own way once Kate Bush was signed and embarking on her remarkable career. This
was why I was there. Because their shared history had worked towards,
contributed to, Kate Bush being who she is and that is enough to make anyone
proud. Especially for me, because they were from the same part of town I am
from and so although I wasn’t around at the time, what they were doing was
still an association I could use to draw energy and motivation from when
undertaking my own work, and wanting to make my own mark on the world. We build
on what other people have done before us and can use their example to inspire
us, especially at low times when you feel like giving up or that you are
drifting. Whether the sadness of this year with the passing of so many
inspiring artists has got you down or not, if like me, you can associate with
their work (I was fascinated to read an article in the paper after David Bowie
had died about how he had performed a gig when he was 15 or so at a venue I
walk past weekly, no longer there unfortunately, but I know where it would have
been) it means a lot and can help. It’s all about the way you got there for me,
to see how normal everyday people battle through whatever personal issues they
have (and don’t you just get to hear those issues in their later work!) and create,
that’s what’s inspiring. And more than that, isn’t it fantastic that at any
time in life you can still get up there and do it. These guys were as fit and
explosive and dynamic as I could ever hope to be and when they were on stage it
wasn’t about examining them in terms of their age, it was about experiencing
with them the things that had been such a big part of their lives. So that was
a great lesson. I want to be able to do what I love all my life and seeing the
KT Bush Band play shows you how you can.
As I mentioned earlier, I had a few drinks and although that helped me unshackle from the nerves and dance and sing away with the band and the crowd, it did mean I turned into a bit of a slushy fanboy (I’m normally the quiet one at the back) that had no inhibitions about asking for their signatures and gushing about how great they were and how it meant so much to me (I think I said I come from Eltham a million and one times – for your reference Kate Bush lived in Eltham for a while and I walk past her old house often (it’s very nice) – and how their work meant such a lot to a local south east urchin like myself (oh dear, oh dear, oh dear), but that aside I managed to not embarrass myself too much and didn’t overstay my place in the queue (there was still two minutes left of serving time so I didn’t want to miss out on last orders… ) at least I hope I didn’t. I had a smile on my face a mile wide as the night was all I hoped for and more and as I left the pub I really felt as if it had helped me, as much as being a lovely night out.
I ended up
avoiding the night bus adventure. Luckily, I found myself on the last train
from Charing Cross after sprinting up Embankment from getting off the District
Line on the underground. I knew I was going to be in for a hell of a hangover
(which I was) but I was so pleased I had seen them and it made me feel so
positive about continuing to do what I want to do with my life that a day in
hangover hell wasn’t a big deal. I will definitely be seeing them again should
they be doing any more London gigs and I encourage you to visit their website, learn more about them and add yourself to the
mailing list. Not for the reasons I have talked about of course, that all
probably means nothing to you! But in terms of seeing a first class band with a
first class singer playing some first class songs, you won’t see anything
better.
Have a great
week,
R.G Rankine
